Best PR Agency UK 2026
United Press · Broadcast PR & TV Segments
A reader skims an article. A viewer watches a person. Four minutes on a morning show does something no written piece can: it puts a face, a voice and a manner in front of an audience who then feel they have met you. United Press is a UK broadcast PR agency that books named television segments on named stations — NBC, CBS, Fox, ABC and CW affiliates across the United States, plus interview slots on CNBC, Bloomberg and Fox Business.
Networks and markets across the broadcast list
Before you book anything
A segment is not a press release with a camera pointed at it. It is a short live conversation in front of an audience that is already watching. These are the things worth understanding before you decide whether it is right for you.
Warmth, conviction and how you handle a question all carry on camera. For founders and specialists, that is the whole point.
Segments work best when there is a product to show, a method to explain or a problem the audience recognises. A pure announcement is thin television.
Most slots run a few minutes. That is enough for one clear idea, told well — not three.
The clip goes on your site, in decks, in emails and on socials. For many clients the reuse is worth more than the original airing.
A segment in Tampa reaches Tampa. If your customers are in four metros, we book four markets rather than hoping one travels.
The difference between a strong segment and an awkward one is almost always the run-through, not the booking.
Broadcast PR from the UK
Most UK companies come to broadcast PR wanting one thing: a founder or specialist on screen, talking to an audience that is already watching. We book that for British businesses in London, Manchester, Birmingham, Leeds, Brighton and beyond — and because our booked inventory is American and international, the audience you reach is the one most UK brands find hardest to get in front of.
If you are a UK business expanding into the United States, a segment on a local American station does more for you there than any amount of British coverage. Your buyers watch their own news.
Broadcast PR works best when a real person can explain something. Founders, clinicians, lawyers, financial advisers and technical specialists all translate well to screen.
Most bookings are done by video link, so you can appear from London, Manchester or a home office without flying anywhere.
CNBC, Bloomberg, Fox Business and Bloomberg UK TV interview slots sit alongside the local station inventory, for founders whose story is a market view rather than a product.
The recording comes back to you. UK sales decks, investor updates and LinkedIn all benefit from a clip of you on a network set.
We work directly with founders and marketing leads, and alongside UK agencies who need broadcast inventory they cannot reach themselves.
A straight answer
This is the question we are asked most often, so here is the honest version — including the parts that have nothing to do with hiring anyone.
Producers book people who can make a single point clearly, not companies with news. Decide what you would say if you had one answer and nothing else.
A segment lives or dies on whether the audience recognises the problem. “Why your energy bill jumps in autumn” books. “Our platform has launched” does not.
Television is a visual medium. A product, a demonstration, a chart, a before and after — anything the camera can point at strengthens the booking.
Decide who you need watching. A segment in Phoenix reaching your actual customers beats a national slot reaching nobody who can buy from you.
Know your three sentences. Rehearse them out loud. The gap between a confident guest and an awkward one is almost always preparation, not talent.
The broadcast is one moment. The clip works for years on your site, in decks and in email. Plan for the reuse before you appear.
The list, in the open
Grouped by network so you can see the reach before you commit. Availability and slot times move week to week; we confirm the live shortlist and the airing window for your sector in writing.
Interview slots on the national business networks, booked as virtual or in-studio appearances.
Lifestyle and morning programming on NBC affiliates, market by market across the United States.
CBS affiliate lifestyle and daytime slots, from major metros to strong secondary markets.
Fox affiliate morning and lifestyle programming across the country.
ABC affiliate morning shows and lifestyle blocks in named US markets.
CW stations in large metros, including Los Angeles, New York, Dallas and Houston.
Two of the strongest independent stations in the country, in Chicago and the Bay Area.
Choosing a segment
What you are trying to make happen should decide the station, the market and the format — not which network sounds most impressive.
Lifestyle and morning blocks in the metros where you actually ship. A demonstration on camera does what a photograph cannot.
A national business segment on CNBC, Bloomberg or Fox Business. Short, sharp and framed around a market view rather than your company.
The affiliate that serves that metro. Local viewers treat their own station as a neighbour, not as media.
The recording matters more than the airing. A calm, fluent founder on camera is a strong asset inside a data room.
Segments where you explain a problem the audience already has. Expertise on screen converts better than a claim in print.
Regional stations in the cities you hire from. Candidates and their families watch local television.
After the broadcast
The segment airs once. The clip works for years, and this is where most of the value sits.
A short clip above the fold does more for a hesitant visitor than another paragraph of copy.
A founder speaking fluently on a network set answers the credibility question before anyone asks it.
A few seconds of the strongest moment, captioned, tends to outperform anything produced in-house.
Television and press work together: the clip proves the person, the articles prove the record.
How it works
No mystery, and nothing goes ahead until you have seen the station and the slot.
We start with the audience you want in the room, then match the station and programme that reaches them.
You get the call sign, the market and the airing window in writing before anything is committed.
We build the segment around one idea the audience cares about, and send you the run of questions in advance.
You appear live, in studio or remote. The recording comes back to you to use however you want.
Two approaches
One recording pushed out to as many stations as will take it. Impressive on a report, forgettable to every audience that saw it.
One station, one market, one conversation built for that audience. Fewer airings, far more effect where it matters.
Holding out for a national slot while the metros you actually sell in never see you at all.
A strong regional segment you can reuse everywhere beats a national booking you were not ready for.
The vocabulary
The words producers and agencies use, in plain English, so you can read a proposal and know exactly what is being offered.
Public relations aimed at radio and television rather than print or online. It covers earned news interviews, booked segments and supplied video content.
A short slot inside a programme, usually a few minutes, in which a guest discusses one topic. Lifestyle and morning shows carry them daily.
A local station carrying a national network’s programming. NBC, CBS, Fox, ABC and The CW each have affiliates across the United States, and each serves its own city.
The geographic area a station broadcasts to, such as Tampa or Salt Lake City. Buying by market is how you control who actually sees you.
The on-screen band showing your name and title during an interview. It is what viewers screenshot, and what makes a clip usable afterwards.
One guest doing many short back-to-back interviews from a single studio. High volume, low depth, and a very different thing from a booked local segment.
An appearance a newsroom invites you to because the story is newsworthy. It cannot be scheduled in advance, which is exactly why it is unpredictable.
An appearance arranged in advance within lifestyle or daytime programming, with the station, slot and airing window agreed before anything happens.
Questions
Straight answers to what people actually ask before booking a television appearance.
Broadcast PR is public relations aimed at television and radio rather than print or online. In practice it covers three different things: earned news interviews a newsroom invites you to, segments booked in advance within lifestyle and daytime programming, and video content supplied to stations. United Press books the second kind, and names the station, the market and the airing window before anything is committed.
Yes, and it is one of the most common reasons UK companies come to us. Most segments are recorded by video link, so a founder in London or Manchester can appear on a station in Phoenix or Tampa without travelling. Because American buyers trust their own local media, a US segment usually does more for a UK company expanding there than any amount of British coverage.
Our booked inventory is American network affiliates plus the national business networks, including Bloomberg UK TV. British national broadcasters run on earned editorial rather than pre-arranged segments, so nobody can sell you a guaranteed BBC or ITV slot. If someone offers you one, ask them exactly what they mean.
Have one idea that takes about four minutes to explain, frame it around a problem the audience already has, and be able to show something on camera. Then choose the market where your customers actually live rather than chasing the biggest network. We do the station selection, the pitch, the talking points and the run-through.
Broadcast PR is the whole discipline. A booked segment is one specific product within it: a pre-arranged slot inside lifestyle or daytime programming where the station, timing and topic are agreed in advance. Earned news interviews are the other half of broadcast PR, and by their nature cannot be scheduled.
We confirm the station, the market and the airing window in writing before you commit, which is why the booking is predictable. We do not use the word guaranteed about editorial outcomes, because live television can move for breaking news. If a slot moves, we tell you and reschedule.
NBC, CBS, Fox, ABC and The CW affiliate stations across the United States, two major independents in Chicago and San Francisco, and interview slots on CNBC, Bloomberg, Fox Business, ESPN and Bloomberg UK TV.
Yes. Every booking is made by market, so if your customers are in Denver, Tampa and Phoenix, that is where the segments go. The full list of markets is published on this page.
Usually not. Most segments are done remotely by video, which is why UK-based founders can appear on American stations. In-studio appearances are available where the station and the market justify the trip.
Most run a few minutes. That is enough for one clear idea explained well, so we build the segment around a single point rather than trying to cover a whole company.
Yes. The recording is yours to use on your website, in sales and investor decks, in email and on social media. For most clients that reuse turns out to be worth more than the original broadcast.
Something you can show or explain that the audience already has an opinion about: a product to demonstrate, a method that saves people time or money, or a problem viewers recognise from their own lives. A funding announcement on its own is thin television and we will say so.
You get the topic, the framing and the run of questions in advance, plus a run-through. Preparation is the single biggest difference between a strong segment and an awkward one.
A satellite media tour is one guest doing many short back-to-back interviews from a single studio, syndicated to lots of stations. It produces an impressive-looking report and very little audience effect. We book chosen segments in chosen markets instead.
Yes. Many UK agencies use us for broadcast inventory they cannot reach directly, particularly American local television. We are happy to work to your agency’s messaging and report into them.
We work with clients across the UK, including Manchester, London, Birmingham, Leeds, Bristol and Brighton. The work is done remotely, so your location in Britain does not limit which stations or markets you can be booked onto.
A local station that carries a national network’s programming. NBC, CBS, Fox, ABC and The CW each have affiliates across the United States. The affiliate serves its own city, which is why buying by market rather than by network is what controls who sees you.
Many stations post segments to their own websites, which adds a searchable, linkable page to the value of the appearance. Where that applies to your specific booking, we tell you before you approve it.
It can. Assistants such as ChatGPT, Claude, Gemini and Perplexity lean on established news domains, and a station’s own website page for your segment is exactly that kind of source. A television appearance that also produces an indexed page tends to be more useful for AI visibility than one that does not.
It depends on the station and the slot. Timing is confirmed for your specific booking before you approve it, so you are never working to an open-ended date.
Yes, and it is usually the better approach. A cluster of segments across the metros you sell into gives you several local audiences and several recordings, rather than one appearance you hope travels.
Solid mid-tone colours, no fine stripes or busy patterns, and nothing that rustles near a microphone. Know your three sentences and say them out loud beforehand. We send guidance and run through it with you before the booking.
They do different jobs. Print and online coverage builds a searchable record and gets cited; television puts a face and a voice in front of people and produces an asset you can reuse. Most clients who do both find each makes the other work harder.
Companies with nothing to show or explain, and anyone whose only story is that they exist or have raised money. If that is the position, print will serve you better and we would rather say so than sell you a segment that lands flat.
Keep going
The print and online titles in the same US markets
Gulf, Canada, Australia, India, Europe and Africa
National, regional and trade titles across Britain
Every category we place across, in one place
Let’s Talk
Tell us which cities matter to you and what you can show or explain on camera. We will come back with specific stations, programmes and airing windows for you to approve before anything is booked. No obligation.