United Press helps your brand get featured in Broadway World — placing your story in front of a global, style-led audience through real fashion & lifestyle editorial.
Trusted by 14,000+ founders, creators and lifestyle brands.
Get Featured NowHigh-impact Broadway World coverage builds desirability, credibility and reach with a fashion-forward audience.
“As Featured in Broadway World” signals taste and credibility, instantly elevating your brand.
High-domain-authority backlinks from Broadway World boost your SEO and visibility.
Recognition by a leading fashion & lifestyle title reassures customers and partners.
Reach Broadway World’s vast, style-conscious global readership.
A Broadway World placement positions you as an aspirational, trend-setting brand.
The prestige of a Broadway World feature lifts trust and conversions.
When your audience sees your brand featured in Broadway World, they instantly associate you with style, quality and authority.
From strategy to writing to placement, our team and fashion-media network do the heavy lifting so your story lands in Broadway World.
A clear, guided path from first call to live link.
We discuss your brand and goals to craft a tailored strategy.
Our writers craft an on-brand, guideline-compliant feature.
We pitch and place your story in Broadway World and other fashion outlets.
You receive live URLs of your published feature.
Add the “As Seen in Broadway World” badge to your site.
Watch prestige translate into a 20–50% lift in conversions.
If we don’t deliver your agreed placement, you get your money back.
Direct relationships with fashion & lifestyle editors.
Publishing plans and copy tailored to your brand and aesthetic.
A history of landing clients in the world’s leading publications.
High-authority coverage that lifts both reputation and rankings.
Live URLs and monthly reports so you can prove every result.
“United Press built our business from launch to $30m in revenue in 2 years. Being featured in Broadway World, Vogue, Elle and other top titles gave new customers the trust they needed. Our ROI has been over 100:1.”
BroadwayWorld was launched in 2003 by Robert Diamond and is published from New York by his company, Wisdom Digital Media. It describes itself as the largest theatre site on the internet, covering Broadway and the West End alongside more than a hundred American cities and dozens of countries, published in a range of languages and supported by regional editors across a very wide network, including a dedicated UK team. It is a volume publication, and that is the point. Beyond news it runs reviews, interviews, photo galleries, video, message boards, box-office reporting, industry job listings and fan-voted awards covering regional theatre worldwide.
The site is organised geographically, with UK pages sitting alongside American and international sections and further subdivisions by city and area. A production in Sheffield, Cardiff or Glasgow has a natural home that is not the West End page. Identifying the correct section before you send is the difference between a fast turnaround and no response at all.
Casting, first-look images, on-sale dates, transfers, extensions, tour schedules, creative team appointments and closing notices are the material this site publishes constantly. If your production has one of those to make, it has something to send. If it does not, manufacture nothing; wait until the next genuine announcement is ready.
Photography and video are not optional extras here. Production shots, rehearsal images and trailers with clear usage rights and correct photographer credits make a piece straightforward to publish. A well-written release with no cleared images is a much harder proposition than a shorter one arriving with a full gallery attached.
Unlike outlets that treat everything outside London as secondary, this site is built around regional coverage and maintains editors to service it. Touring productions, subsidised houses, fringe seasons and Edinburgh work all have somewhere to sit. For a UK producer outside London, that makes it one of the more accessible international outlets available.
An embargo lifting mid-morning UK time reaches the American east coast early in its working day, which suits both audiences. Coordinate on-sale times, press-night dates and image releases so that the UK trade announcement and the international pick-up happen in a sensible order rather than colliding.
The readership is made up of theatregoers, performers, students and industry professionals. They want to know who is in it, who is directing, where it is playing, when it opens and how to book. Marketing language about immersive experiences and unforgettable journeys tells them nothing they can use.
The formats stay consistent from one territory to the next, which makes planning straightforward. A UK production can usually map its own announcement calendar directly onto the list below.
Theatre press offices are stretched, and the errors below are usually the result of pace rather than carelessness. Each of them is fixable before the email goes out.
Not sure which of these applies to your story? Send it to ceo@unitedpress.uk and we will tell you straight.
Yes, substantially. Alongside Broadway it covers the West End and maintains UK regional pages with editors assigned to them, as part of a network spanning many countries. For a UK producer that means a London opening and a touring date in a regional city both have a logical home on the site, which is unusual among American theatre outlets.
The essentials are the show title, venue, dates, on-sale information, full cast and creative team with correct spellings, a short synopsis, press-night date and booking details. Alongside that, high-resolution images with usage rights confirmed and photographer credits, plus any trailer. Supplying all of it together is the single biggest factor in how quickly something appears.
It is possible, and it works best when there is a clear peg: a run opening, a role debut, a tour beginning, an anniversary or an award. Interviews are arranged with regional editors rather than requested centrally, and availability matters. A performer who can commit to a slot within the run’s promotional window is far easier to place than one who cannot.
They are worth understanding rather than chasing. The site runs fan-voted awards covering regional theatre in many territories, and they generate real engagement among audiences and casts. Treat them as a way of involving your existing audience during a run, not as a substitute for editorial coverage or as something that reflects critical assessment of a production.
Only through a genuine theatrical connection. A sponsorship a production has announced, a partnership with a venue, or a product with a real role in a staging can be legitimate news. Without one of those, a brand pitch has no section to sit in. The readership is there for shows, and content that ignores that fails on its own terms.
We turn your story into Broadway World-worthy editorial — amplifying your reach, desirability and impact.
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