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Get Featured in In Touch Weekly & Be Seen by Millions
United Press helps your business get featured in In Touch Weekly — building your brand’s visibility, credibility and authority through real editorial coverage.
Trusted by 14,000+ founders, executives and growth-stage businesses.
Get Featured NowGetting Featured in In Touch Weekly Transforms Your Business
High-impact In Touch Weekly coverage builds credibility, improves SEO, and proves your prominence to prospects and investors.
Establish Trust & Authority
“As Featured in In Touch Weekly” is a powerful endorsement that signals your brand is noteworthy and credible.
Rank on Google’s First Page
High-domain-authority backlinks from In Touch Weekly get indexed by Google, boosting your SEO and visibility.
Enhance Your Digital Footprint
Recognition by a leading business publication reassures clients and helps you close deals.
Expand Your Reach
Expose your brand to a wider, influential audience of founders, executives and investors.
Boost Brand Authority
An In Touch Weekly placement showcases your expertise and positions you as a thought leader.
Convert 20–50% More
The trust of an In Touch Weekly feature lifts website conversion rates measurably.
Credibility That Opens Doors
When prospects see your brand recognised by In Touch Weekly, they instantly associate you with authority, reliability and professionalism.
- High-authority backlinks that lift your SEO
- The trusted “As Seen in In Touch Weekly” badge for your site
- Stronger engagement, loyalty and conversions
Results That Speak for Themselves
We Handle Everything, End to End
From strategy to writing to placement, our team and editorial network do the heavy lifting so your story lands in In Touch Weekly
- Tailored pitching built around In Touch Weekly’s editorial standards
- Direct access to our extensive contributor & editor network
- Compelling, newsworthy founder storytelling
- Comprehensive monthly reporting with live URLs
How Getting Featured in In Touch Weekly Works
A clear, guided path from first call to live link.
Consultation
We discuss your business and objectives to craft a tailored strategy aligned with your goals.
Article Creation
Our writers follow In Touch Weekly’s submission guidelines to draft an article tailored to your brand.
Publication
We pitch and place your story in In Touch Weekly and other top-tier outlets.
Review & Confirmation
You receive a list of live URLs showcasing your published article.
Trust Badge
Highlight your achievement with the “As Seen in In Touch Weekly” badge.
Conversion Boost
Watch credibility translate into a 20–50% lift in conversions.
Why Choose Us to Get Featured in In Touch Weekly
Guaranteed or Money-Back
If we don’t deliver your agreed placement, you get your money back.
Exclusive Network
Direct relationships with editors and contributors who make publishing decisions.
Customized Strategy
Publishing plans and copy tailored to your brand voice and goals.
Proven Track Record
A history of landing clients in the world’s leading publications.
Authority & SEO
High-authority coverage that lifts both reputation and rankings.
Transparent Reporting
Live URLs and monthly reports so you can prove every result.
“United Press built our business from launch to $30m in revenue in 2 years. Being featured in In Touch Weekly, Forbes, Entrepreneur and Bloomberg gave new customers the trust they needed. Our ROI has been over 100:1 — that blows my mind.”
In Touch after the print closure: pitching an American celebrity brand that now lives online
In Touch launched in 2002 under Bauer as a fast, inexpensive celebrity weekly aimed at a young female readership, competing directly with the established supermarket titles. Bauer’s American celebrity magazines went to American Media in 2018, which became a360media, and a360media merged with McClatchy in December 2024. In May 2025 McClatchy announced it was closing the print editions of In Touch, Life & Style, Closer and First for Women, with final issues appearing at the end of June. The magazine you may remember from a checkout queue no longer exists in that form. What remains is a digital celebrity operation, judged on how quickly it publishes and how well its stories travel on social platforms.
Stop pitching the magazine
There is no cover, no page plan and no weekly close to work towards. Every proposal is now assessed as a web story: does it have a headline people will click, an image that works in a feed, and a name American readers recognise. Framing a pitch around print placement immediately signals that the sender has not kept up.
The name carries the piece
Celebrity sites run on recognition. If the person at the centre of your story means nothing to an American reader, there is no story, regardless of how well known they are in Britain. That is the honest test to apply before you spend any time on a pitch, and it eliminates most UK founders straight away.
Reality television is the bridge
British reality formats and their casts have real currency with American audiences, and so does the royal family. A UK client with a genuine connection to a format that has crossed over, or to a person American readers already follow, has something workable. A connection invented after the fact does not survive an editor’s first look.
Move at story speed
This is a same-day environment. When something breaks, the useful contribution is a quotable comment, a clear image and a fast response, delivered within hours rather than after an approval chain has met. If your client needs two days to sign off a sentence, they will consistently miss the moment entirely.
Work the American news cycle
The desk runs on US Eastern time, and the celebrity cycle peaks around American award shows, network premieres, streaming release dates and the weekend gossip run. A pitch sent first thing in London lands overnight in New York. Aim for the UK afternoon, and time reactive comment to when the American day actually begins.
Sort the picture rights
Celebrity sites depend on images and cannot publish what they have no right to use. Supply photography you own or have licensed, with the credit stated and the permission clear. Assuming that a shot obtained for a British launch can be reused on an American site is a common and expensive mistake.
What In Touch publishes online
The mix is recognisable from the print years but faster and more visual. These are the recurring categories, and they show how narrow the opening is for a business story.
- Celebrity relationship reporting, covering engagements, weddings, separations, custody matters and dating speculation involving names American readers already follow closely
- Reality television coverage, following cast members from major American franchises and the formats that have crossed over from elsewhere
- Royal family stories, which perform strongly with the American audience and are a consistent part of the daily output
- Red carpet, fashion and beauty coverage built around events, public appearances and the clothing and products associated with recognisable faces
- Family and parenting stories about celebrities, including pregnancies, births, school milestones and the domestic details the site’s readers follow closely
- Listicles, galleries and quizzes designed for social distribution, drawing on television, film and music personalities familiar to the audience
Why UK approaches to In Touch go nowhere
The recurring theme is mismatch. A brand or founder story arrives at a desk whose entire output is organised around people American readers already care about.
- No name an American reader knows. British recognition does not transfer automatically. Without a familiar face at the centre, there is nothing to build a headline on.
- A press-release timescale. An announcement embargoed for next week, sent to a site that publishes within hours, is out of step with how the desk works.
- Photography you do not control. Images without clear licensing cannot be used, and an editor will not spend an afternoon establishing who owns them.
- A corporate story in celebrity clothing. A product launch with a paid ambassador attached is transparent, and the desk sees several of them every day.
- Expecting a print outcome. Proposals built around cover lines or page placement misread a brand whose print editions closed in the summer of 2025.
Not sure which of these applies to your story? Send it to ceo@unitedpress.uk and we will tell you straight.
In Touch questions from UK clients
Is In Touch still a printed magazine?
No. McClatchy announced in May 2025 that it was ending the print editions of In Touch, Life & Style, Closer and First for Women, with final issues published at the end of that June. The brand continues as a digital celebrity operation with a large social following. Any planning should therefore assume web publication, fast turnaround and social distribution rather than a print cycle.
Can a UK brand realistically appear in In Touch?
Only where a recognisable person carries the story. Product coverage does happen, but it happens because a celebrity is genuinely associated with the item, not because a brand has news. If a UK company has a credible link to someone American readers follow, there is a route. If it does not, the effort belongs with a different type of outlet.
How quickly does a reactive opportunity need answering?
Within hours, not days. Celebrity news cycles are short and the site is competing with several others covering the same story. A client who wants to contribute comment needs pre-agreed positions, a nominated spokesperson and someone empowered to approve wording quickly. Without that, the window closes before the approval process finishes and the effort is wasted.
Who publishes In Touch now?
It sits within McClatchy Media Company, following the merger with a360media completed in December 2024. Before that it had passed from Bauer, which launched it in 2002, to American Media in 2018, which subsequently became a360media. The chain matters because it explains the recent consolidation and the decision to concentrate the group’s celebrity output online.
Does British reality-television fame count in America?
Sometimes, and it is worth checking rather than assuming. Certain British formats and personalities have crossed over and are covered regularly by American celebrity sites; many others have not travelled at all. Before building a campaign on it, look at whether the person in question is already appearing in US coverage. That is a far better test than domestic follower counts.
Get Featured in In Touch Weekly — FAQ
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In Touch Weekly Features, United Press Delivers
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